Just a quick question.
I am currently in a position where I am forced to sell some 2000AD art.
It is a painful experience but I reassure myself that when circumstances improve I can hopefully get some more.
My question is.....
Does condition make a vast difference?
I understand that if it's really tatty then it may not be worth a lot. However if it's just a little yellowing is this detrimental?
It's not as if there is another copy in existence (its not a print)and to be honest, these were items of work when created and were treated as such.
What does the hive mind think?
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Now listed on eBay:
http://shop.ebay.co.uk/aledsamjo/m.html
I am currently in a position where I am forced to sell some 2000AD art.
It is a painful experience but I reassure myself that when circumstances improve I can hopefully get some more.
My question is.....
Does condition make a vast difference?
I understand that if it's really tatty then it may not be worth a lot. However if it's just a little yellowing is this detrimental?
It's not as if there is another copy in existence (its not a print)and to be honest, these were items of work when created and were treated as such.
What does the hive mind think?
--
Now listed on eBay:
http://shop.ebay.co.uk/aledsamjo/m.html