1st: 390 - The World's End!
2nd: 383 - Riot Act!
3rd: 385 - A Town Called Malice!
2nd: 383 - Riot Act!
3rd: 385 - A Town Called Malice!
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Show posts MenuQuote from: robert_ellis on 09 November, 2017, 12:53:12 PMIndeed, it was the one print I really wanted. I also decided to get Carlos's B&W Strontium Dog variant as well (to complement my '1977-2017' Dredd print):
The Anderson Print is sold out. Hope some boarders were lucky.
Quote from: Rara Avis on 14 October, 2017, 09:25:57 PM100% agree. I was slightly concerned during the credits when I saw there were two separate editors - the legendary Thelma Schoonmaker and Claire Simpson (not a name I recognise but she edited Platoon, Someone To Watch Over Me & Wall Street, amongst others, so clearly not a neophyte) - but there are entire scenes/sequences in the trailer that simply don't feature in the final movie or are heavily truncated to within a gnat's crotchet of their life and it's almost as if they shot two films and left the better one on the cutting room floor.
Just back from The Snowman. I honestly can't recommend this movie .. I felt there were bits in the trailer that never made it to the screen cut and the movie (like the book apparently) leaves a few strands of the plot unresolved. If you absolutely had to, it's not the worst way to spend a few hours but don't expect much going in.
Quote from: Jimmy Baker's Assistant on 22 September, 2017, 10:21:38 AMGood News! You can now buy the prog in a digital, non-physical, format. And, as a reward from the benevolent Mighty One for not participating in the weekly felling of the Earth's tree population, a digital subscription is cheaper than the print edition.
My main issue with the prog is that I don't like them as physical objects...
Quote from: Frank on 19 September, 2017, 10:29:46 PMThere's a lot to like in Yeowell's art, even if Phase III is the *ahem* zenith of his career but I confess I never got on with Steve's work in 'The Red Seas'; it was too 'open', had too much white space, and whenever I looked at it the lines just slid off the page. Like the bottom four panels in the page below, I find my eye doesn't know where to focus and I lose the sense of narrative:Quote from: Frank on 19 September, 2017, 10:01:33 PM
I agree that something's gone from (Yeowell's) art by Phase IV, but I blame that on having to alter his style for The Invisibles.
Nobody google that to make sure the chronology checks out. Trust me, it's fine.
Quote from: Steven Denton on 19 September, 2017, 09:37:46 AM...Zenith is NOT a staggering work of literary originality...It's a knock off Alan more with a little HP Lovecraft, brilliantly repackaged for the Stock Aitken and Waterman generation.Phase III, in particular, also owes a sizeable debt to Mike Moorcock (the Multiverse, Conjunction of the Million Spheres, 93 Mantra's Chaos symbol, etc.), an author Grant has