I have noticed something in the last few weeks, the way I read the prog (and Meg) has totally changed.
I've been reading since being knee-high to Banzai Battalion and I'm now in my mid 30's, but since becoming an active poster on this board, particularly since posting in review threads, I am looking at the prog in a different way. I've never been an artist or an aspiring writer, just a happy thrill consumer. I never really took any notice of who the droids were or gave any thought to what the creative process was behind the story or the art. Despite lurking for years and reading the review threads it is only since starting to post thoughts about the prog that I have found myself thinking about composition, structure, depicting action, how to get your exposition in and even..gulp..lettering, credits and banners.
It takes ages to read the prog now and there is no space in my head for all these new thoughts and musings.
So thank you one and all for pulling me one step further towards the abyss.
Minky
I've been reading since being knee-high to Banzai Battalion and I'm now in my mid 30's, but since becoming an active poster on this board, particularly since posting in review threads, I am looking at the prog in a different way. I've never been an artist or an aspiring writer, just a happy thrill consumer. I never really took any notice of who the droids were or gave any thought to what the creative process was behind the story or the art. Despite lurking for years and reading the review threads it is only since starting to post thoughts about the prog that I have found myself thinking about composition, structure, depicting action, how to get your exposition in and even..gulp..lettering, credits and banners.
It takes ages to read the prog now and there is no space in my head for all these new thoughts and musings.
So thank you one and all for pulling me one step further towards the abyss.
Minky