Quote from: sauchie on 10 March, 2014, 05:15:14 PMQuote from: Charlie boy on 08 March, 2014, 10:01:12 PMQuote from: Apestrife on 10 March, 2014, 10:14:05 AM
I'm a bit careful looking forward to this one. I'm not a fan of the Dame to kill for book and certainly not the later day stuff by Frank Miller.
Who thought placing Director Frank Miller in the credits was a good idea? I still quite like A Dame to Kill For but have no real interest in the other plots here- especially the newly written one.
I haven't bought any of Miller's comics since the late nineties, but his public meltdown hasn't made me go back and start retroactively hating everything he did in the eighties, as appears to be the fashion. A Dame To Kill For (comic) works fine as a striking and stylised pastiche of Chandler and Cain, but I've no interest in seeing a film adaptation of it.
That story's the definition of Alan Moore's argument that some things just work better as strips than they do on screen; the compromised visuals don't have the same impact as the style of the print originals, and there are sequences of dialogue (some quite lengthy) which are fine on the page, but which would make me cringe or bore me when spoken aloud.
The (in some ways admirable) determination to stick so closely to the text and imagery of Miller's comics meant watching the first film was a very dry exercise for me, so I've no interest in seeing this film. I suppose the producers use Miller's name in advertising for the same reason folk who'd never heard of John Wagner were assured Dredd 3D had his blessing.
Miller is quite involved in the filming, and even if his "The Spirit" is quite awful, it's still quite well made (the esthetics). So no matter how much of a rotter he is, he deserves the title.
But about the title itself. The Hard Good Bye lended itself quite well being adapted. It more or less being film noir on steroids. Problem with A dame to kill for is that it feels like a misunderstanding of the "heroes" Jim Thompson wrote. I seriously hope they'v fixed what they can about adapting it, since it's supposed to follow the novel... Or else it could turn very ugly with, as you said, for example dialogue. Frank Miller isn't exactly Brian Azzarello when it comes to making writing something that can be said loud.
And about adapting a comic. I think Robert Rodriguez would do wonders helming Pat Mill's Marshal Law. While the suit could use some stream lining (less clutter, more clean lines) I think the material itself could suit him really well. Only thing he needs to do is put some weight to the super hero satire and find a balance for the brutal stuff that more or less needs a voice over to put in context (for example the focus on penis).