Quote from: JayzusB.Christ on 01 February, 2024, 01:51:05 PMMaybe Steve Coogan and Rob Brydon...
as Mr Brass and Mr Bland in the live action version
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Show posts MenuQuote from: JayzusB.Christ on 01 February, 2024, 01:51:05 PMMaybe Steve Coogan and Rob Brydon...
Quote from: Dash Decent on 01 February, 2024, 01:17:03 PMQuote from: Barrington Boots on 01 February, 2024, 09:04:52 AMI'm devastated we missed the chance to have Windsor Davies as Major Magnum.
SHUT UP!
Quote from: Tjm86 on 27 January, 2024, 09:30:50 PMProg 2367 - A New Direction?
Mr Robinson on cover duties may be slightly ironic but only for those looking backwards.
Dredd; Better World
Okay, let's start with Mr Flint on art duties. Simple: wow! This is absolutely someone who is at the top of their game. Possibly someone this story deserves.
Williams and Wyatt on scripting duties. Well, there have been comments about the issues this story is dealing with. Most specifically the behaviour of a certain type of channel and presenter. How it influences practitioners ... "the law is impatioanl above all else".
Isn't that the point? Maitland is completely impartial. She follows the data. Her approach is predicated on data. Dredd neglects politics because his focus is on the law. Layers upon layers and then we get to Major Domo!
3Rillers: the English Astronaut
These are always a challenge.An extended Future Shock but can it work over 3 issues? Certainly you can't fault Helsby's artwork. (Unless you are being particularly anal about military uniforms of the '50s). Where is this going? Hard to tell from part 1 but certainly the idea of time anomalies is in play. Does that have implications for the present day? Good question, well posed, deserves an answer ...
Full Tile Boogie
Ocean's artwork is impressive, to be sure. In fact there is little if anything to criticise from that perspective. From a script point then: nope. This is laying out the challenges the crew face: an 'ancient regime' intent on exacting retribution, the implications of clonage (gosh, I've got "Friday" on my mind ... ) and all the political ramifications.
Now this is where Regened works to my mind. It take the sensibilities of modern mange, merges them through the punk mind-set of Tooth and then extrudes the most extreme aspects of SF (TBH I'm thinking of Heinlein right now but I also get a Reynolds' riff).
Enemy Earth. Hmmm, a. it of a Chris Carter moment here. So all of the events to date are predicated on the 'dinosaur killer' event of yore. Not a problem because that just laid the scene for all of the events to date. TLDR: things are seriously hotting up.
Thistlebone. Davis captures that seventies film-making sensibility that many of its intended audience will appreciate. Where are things going? Isn't that the question? Certainly there are plenty of questions. Isn't that the whole point though?
TBH this has proven to be a far stronger prog than many of late. Full Tilt Boogie is one of the stronger offerings from Regened and really does seem to capture the sensibilities of Tooth. 3fillers are always hit or miss. It's a challenge to work out whether they should have limited themselves to a FS or pushed the script to its limits. Two more weeks to see ...
Overall though, a far better offering than we've had of late.
Quote from: broodblik on 23 November, 2023, 12:50:01 PMHellman Of Hammer Force - Downfall Webshop Exclusive Edition:
Quote from: Funt Solo [R] on 02 January, 2024, 03:14:02 AM02 - Under Pressure
1980's prog 169 provides our second wraparound, and it's an odd fish. Tagged as "A Scene From the Civil War in Post-Atomic America", it's got nothing to do with anything inside the comic, but is instead depicting a scene from an only hinted at past conflict.
Inside the prog we're in the middle of The Judge Child saga, in the middle of an unconnected conflict on a far distant world.
At the time, though, this cover was compelling because it spoke to a history and a depth that other comics didn't have. It's as if you bought the original Star Wars movie on VHS but the box had a scene from the clone wars. It doesn't hurt that it's a McMahon, either, with Dredd standing up in the middle of a hail of bullets, as if they can't touch him.
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So, was Robin Smith thinking of the McMahon cover when he created the layout sketch for Bolland's classic prog 236 cover from 1981? This layout was presented in the floppy with Megazine 448:
This scan is missing a sliver of the left side, and the crease is clearly visible:
This one fills in the missing part from the previous one, and has a less noticeable crease. Notice the detail on the Block Mania lettering, and the texture visible in the group of perps on the left - especially Siouxsie Sioux's hair.
This tidied up version looks clean and neat, but loses a lot of the detail mentioned in the previous image. Also, the price is in the wrong place. It's such a surreal image, which marks it out as iconic. Why is Dredd standing on top of a block? The flying saucer things are great, but don't actually feature inside (like, ever).
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Next: slippery shenanigans...
Quote from: Barrington Boots on 21 December, 2023, 03:11:06 PMDredd . No Dredd at all, which is bad,
Quote from: Jim_Campbell on 19 December, 2023, 10:43:45 PMQuote from: HeidTheBaw on 19 December, 2023, 08:43:12 PMSee also Devlin Waugh in recent years
Really? I thought Ales Kot's handling of the character in his most recent outings has been excellent.