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Topics - Tjm86

Pages: [1] 2 3 ... 6
1
News / Dredd - Final Judgement 'Special' Edition
« on: 07 November, 2018, 05:11:02 pm »
The news of this dropping in my in box sent me scurrying for the shop.  Limited edition 200 print run, Signed Jock Prints.  I was within a hairs breadth of banging in an order.  Then it hit me ....

Paperback!

I can appreciate the standard edition being paperback but come on, special edition?  So the colorised Charley's War, the Mazeworld 'special edition', ... paperback.  El Mestizo, 13th Floor .... hardback.

I've no objection to paperback editions but would like the option.  I can appreciate that demand might not make it viable but there doesn't seem to be much in the way of rhyme or reason.   :(

2
Other Reviews / Musings on The Small House.
« on: 03 November, 2018, 06:55:13 pm »
Quote
“When the archetypes, tropes, stage settings, stages, and other props of fiction grow boring and you lose enthusiasm for using them, your writing inevitably reveals this loss. The tropes and archetypes lose their mythic power and become mere clichés.”  Geoff Hart http://www.writing-world.com/fiction/house.shtml

   Rob Williams’ latest Dredd tale is slowly evolving into an interesting beast, living up to the promise that “There is a very big moment in Dredd’s world coming.” [Rob Williams prog 2100].  For some the thought of conspiracies within Justice Dept smell of cliché and such ideas have been done to death in popular media in recent years.  The team that Dredd has pulled around him; an architect, an insane Wally Squad Judge, an Accountant and a street judge certainly fail to fit most models of a crack team.  Up against the mysterious Smiley and his team of Enceladus Energy Empowered Ninja Judges and without the sanction of Hershey the team certainly seem in a challenging place.  Perhaps what is more of interest is whether this tale will prove Hart’s argument that “re-examining the roles of flagging props can reinvigorate them. [which] happens whenever an author looks deep into a literary device, discovers why it still holds meaning for them, and refreshes interest in that literary device by evoking its essence in an entirely new way.”  Is Justice Dept and Mega City One, is Dredd himself, that literary device that is being reinvigorated?

   History features large in this tale.  The history between Dredd and Hershey.  Dredd’s pivotal role in the history of Mega City One.  Smiley’s hidden role in the same history, his invisible hand that we were first introduced to in Trifecta.  Chief Judges of history; Cal and McGruder.  Frank’s pre-Wally squad history with Smiley.  Dredd’s old foe Kazan’s aging, decaying clone.  Political challengers to the judicial system in Blondel Dupre.  Against all this ultimately looming large, locked away behind cryptography, the file for 2103; the year after Dredd and Hershey returned from the Krysler Expedition.  A year of seemingly inconsequential cases and a looming threat that ultimately evolved into all-out war with East Meg One.  It seems that the weight of those years is evolving a physical reality for Dredd, pressing down hard on him.  The question of his role in the actions that has outraged him, that sent him once before into the Cursed Earth in response to how he saw Justice Dept developing.

   Dredd has been here before, questioning his place, the role of Justice Dept, of the reign of the Judges.  Kraken puzzled over his annotated note on “the Big Lie”.  Dredd shared his misgivings with his mentor.  He commented previously on the tactics the Judges use to maintain their rule.  Yet this was before the encounter with the Father of Justice, Fargo, once more.  How much do Fargo’s words haunt him?  How much does his lie to Hershey bother him?  For Fargo to judge what had grown out of his works so harshly could hardly have washed off him so cleanly.  Now though Dredd does not have a mentor with whom to share his thoughts.  Moreover the circle of trust has drawn ever smaller and even that has been infiltrated.  Kazan may well have served as a foil but at the same time he also lay out small nuggets of wisdom for Dredd to mull over in his barbs.  Now even that has been taken away.

   So what is the ‘Small House’ of the title?  Is it Dredd’s world, Mega City One?  The once sprawling metropolis that dominated the whole Eastern Seaboard now reduced by war, terror and plague?  Is it Justice Dept?  The previously indomitable judicial force now reeling from the events of the past forty years?  Is it Smiley’s humble abode?  The hidden dining room that he inhabits, hidden behind the walls of the Grand Hall?  Or is it all of the above?

   Returning again to Hart, it is worth considering his observation that “what kind of living space the house is, and what it says about the inhabitants” is pertinent here.  Once more history figures here.  Smiley’s house is redolent with historical iconography.  The flight of ducks on the wall would likely be a familiar figure to more aged readers.  The dining room arrangement of Smiley’s house, so mundane and familiar.  The old fireplace, the gas lamps and sideboard.  All of a similar historical era.  Just like Smiley himself, both a name and character from literary history.  The quintessential spymaster always slightly removed from officialdom in his duties and actions and yet intricately linked.  Everything about him points to the past.

   In respect of Dredd, the question of house or home becomes a compelling one.  Everything seems to be pointing to a perturbation.  Everything Dredd has come to know and believe is being increasingly challenged.  His own ‘father’ has questioned the home Dredd has come to know and love.  It is the source of his identity, of his very being.  His commitment to justice has always been unwavering but his commitment to Justice Dept has been measured against this standard.  It is hard to imagine the conflict that such tension must provoke.  Doubtless it is only his training, upbringing and experience that has enabled him to weather it.  What then when the instability that has been introduced slowly grows into something greater?

   Is this what is at the heart of Williams’ latest exploration of Dredd and his world?  In disturbing the very centre of Dredd’s being, upending his world and his relationship with the other inhabitants an opportunity exists to redefine Justice Dept, its relationship with its citizens and the way in which the city is run.  Is this at the back of the reference to Blondel Dupre and the fact that the Judges are Fascists?  Are the seeds Fargo planted in Dredd’s mind about to bear fruit? It would certainly be interesting to see how a world in which Dredd and his fellow Judges find themselves in a completely different relationship with the citizens they rule over would develop.


3
Prog / Prog 2106 - End Times
« on: 03 November, 2018, 11:40:12 am »
Just finished reading Dredd and simply had to stop dead.  Even after last week's WTF moment, this week takes it up a step.  I reckon Flint's perfectly captured the majority of readers'  response to Dredd's words to Hershey.

This Dredd looks like it might be shaping up to be a serious game changer.  I can't see a way to discuss this without spoiling it for folks but I reckon it needs it.

4
Film & TV / New Dr Who Trailer
« on: 20 September, 2018, 09:12:29 pm »
Maybe it's the fact that I've just finished binge watching Capaldi's last season and been pleasantly surprised but I find myself incredibly ambivalent about the trailer BBC have just released.  I know it's just a teaser and it's hard to take it too seriously with Whittaker constantly waving the sonic screwdriver at the camera but there's something 'off' about it for me that I can't quite put my finger on ....

The worst thing about this is that with all of the fan boy rage over the casting, it's going to be hard to be appropriately critical about the finished product.  Even in the short segments we see in the trailer Whittaker's Dr appears nowhere near as commanding as Capaldi's.  Is that a conscious decision to go with a differently gendered approach to 'crisis management' that ignores standard cliches about women in authority?  Is it a mistake on the part of writers who have fallen into cultural stereotypes? 

I know that early days with a new regeneration are always 'peculiar'.  Colin Baker's first few episodes had him as a complete twonk.  Capaldi was a dithering idiot to start with.  Could it be the 'regeneration reset'?

I do hope that I'm over reading / interpreting what they've released.  Certainly will give it a shot and see what it is like.  Let's face it, whoever the actor in the hot seat there have always been quality episodes and ropey ones.  Even Tom Baker had his share of clunkers.

5
Prog / Prog 2096 - Warriors On The Edge
« on: 25 August, 2018, 01:26:22 pm »
Well, postie was insanely early again today, perhaps a little too early.  Finally got a chance to enjoy the prog.

Since the majority of the prog continues ongoing tales, a lot of what has been said still holds true.  On the art front it really is hard to find fault.  Johnson, Burns, Richardson and Harrison continue to provide a visual feast.  Googe's addition with the return of Survival Geeks fits in nicely as well.  A good contrast of work that fit together nicely.

Storywise?  Well, one new strip and four continuing without any major revelations gives the prog a serviceable feel.  Geeks goes with the standard "Welcome to a new alternate reality with lost of nice new threats" intro.  A smattering of cultural references thrown in to keep the attention and a fairly standard cliff hanger ending.  Dredd, The Order, Mechastopheles and Grey Area move the plot along but no earth shattering revelations.  Grey Area rather disappointing telegraphs potential plot developments and it now seems to be straying into cliche territory.  Possibly Abnett is setting us up for another twist, we'll have to see.

All round then it's a fairly decent prog.  Artwork definitely lifts what might be otherwise disappointing stories and arguably the artists are doing a lot of the heavy lifting this week.  All hint at the promise of revelations in the run up to prog 2100 so perhaps more of a teaser prog?

6
News / Scream Collection from Rebellion
« on: 22 August, 2018, 07:07:31 pm »
Awesome news in this week's Thrill Mail!  Scream getting a reprint outing from Rebellion, including a hardback edition.  Just in time for Halloween.

7
News / The Panel Is Political
« on: 20 August, 2018, 11:57:50 am »
Well, someone picked the right writer for this.  Image Comics in November putting out "24 Panels" in aid of Greenfell. 
Including a contribution from Alan Moore taking a swipe at Boris.

8
Prog / Prog 2094 - The Order Meet The Edge - Walker
« on: 11 August, 2018, 03:13:27 pm »
I'm not a massive fan of Armoured Gideon but the cover does do the character justice.  I think though that some of the comments about the prog being a bit of a mixed bag might be applicable again.  Dredd finishes off nicely and McConville has produced a serviceable script for Manco's artwork.

I'm in the 'not really feeling the current series of the Order' camp.  Burns' artwork is as sumptuous as ever but I'm not really sure what the hell is going on here.  Perhaps I need to go back and give it a re-read.  The 3rillers is another tale that has left me cold.  A cliched turn hasn't helped matters.  Maybe the final denouement will help change my mind.

Mechastopheles is another strip I'm hoping will shape up into something more than it is at the moment.  Richardson's artwork continues to serve well and there are some interesting ideas.  It's a bit exposition heavy but not OTT.

Grey Area shows Harrison's strengths and there's an interesting colour pallet in play.  The episode is a bit jarring as the story takes a dramatic turn to develop the plot.  Other than commenting that there are one or two elements that could be construed as cliched, it is probably best to say very, very little about events until the prog hits the shops.  All I will say is that for me, this is the other highlight of the prog.

9
Off Topic / Seriously Misread Solicitations
« on: 26 June, 2018, 06:13:54 pm »
So, glancing at Multiversity today, they had an article about Dark Horse's upcoming solicitations.  Not being completely with it, I misread it as "Disney Frozen and Predator" as a single title.  Now part of me was thinking, WTF, and another was thinking, that would be a mashup to enjoy!  Considering how staid and boring comics seem to be becoming, more of that sort of thing would make for fun times, no?

10
News / Leah Moore and John Reppion
« on: 20 June, 2018, 08:33:23 am »
I know that this is on Tooth's twitter feed but for the non-Twitterati amongst us, I don't know how many are aware of what the Simone Tweet on the homepage is all about.  Reading the JustGiving page , looks like they're not having the best of times at present (.... and the award for understatement of the year goes to ...).  I'm sure folks will respond accordingly and that everyone's thoughts, prayers and whatever practical support as is possible will be with them.

11
Events / GeekedFest Pontypridd 16th June 2018
« on: 02 June, 2018, 06:26:43 pm »
Ponty has it's own con at last!  Tidy!

Limited information at present, mind

My daughter is stoked to see what this is like.  Reasonably priced too.

12
General / Another 'how 2000ad predicted the future thread'
« on: 17 May, 2018, 05:49:35 pm »
Just got to part 2 of Strontium Dog: The Final Solution as part of my intermittent prog slog.  Reading the text from the first page:

"New Britain 2180.  A nation divided.  On one side, the norms, the ordinary people, the ones with jobs, homes hopes and aspirations ... And on the other, mutants, the genetically impure, the ones with hovels, welfare vouchers and crushed dreams ... the ones with nothin.  A nation which has been ruled by the political right for as long as anyone can remember ... A nation where extremists prosper, and decent men mind their own business .."

I think the digits were in the wrong order  - 2180 - 2018.  Otherwise, scarily prescient.

13
Megazine / 395 - Surfing the Songlines
« on: 14 April, 2018, 07:59:34 pm »
I think that it is fair to say that the new cover prints initiative really comes into it's own this month with McCarthy's work.  His psychedelic worldview is perfectly suited to Baillie's script and starts us off nicely. 

Krong wraps itself up in what is possibly the weakest part of the meg.  Nice to see Heston getting his just rewards and the Court of Owls ending does seem a little contrived but I'm willing to be converted in the future.

The Returners continues to confuse nicely.  A team of complete misfits put together for who knows what purpose?  A lot of cliched posturing but it's starting to show a bit more promise so here's to what comes next.

I guess for those complaining about Ezquerra 'phoning it in' for Stront, Koburn is probably the strongest argument in their favour since the maestro shows his true flair.

Then we wrap up with 2012movieworld Dredd, with Flint once again delivering in spades.  These Dark Judges show how disturbing they really are, Dredd struggles with the full force of their might and it looks like Anderson is really struggling with these guys.  Wyatt and DiCampi have definitely succeeded in making the DJ's fearsome again (okay, so has Kendall and co but that's another story).

Razorjack though really does read like something half way through the story.  Higgins' artwork is outstanding and the story works but I'm minded of one of the earliest editions of Sandman that has a text introduction talking about walking into a film part way through.  Yet it is touted as a prologue tale.  Maybe it's me then.  Thinking that this is something I should be familiar with off the back of ComiX.  It works well and does leave me wanting more which is surely a good thing.

This month's floppy though is probably the icing on the cake.  The Nemesis monologue makes for a pleasant change and is probably the best forum for such a dissertation.  Granted there is a lot already written about the genesis and gestation of the character but it is still nice to have it as a complete text.  This is speaking as an owner of both editions of TPO.  It would be nice to see more of this sort of thing.  Granted Dredd has been done to death but Halo Jones would be a prime candidate for this treatment.  It would be a real treat to hear from the likes of Beeby, Moore et al how they viewed the character, commentary on the new colorised version, even a new analysis from Mr Moore himself.  I'm sure Mr Mills could be persuaded to write a monologue on Slaine and ABC to help those of us confused as hell about where we are at (let's face it, ABC continuity baffles most Chaos theory experts).  If push comes to shove, no before then, commission Hibernia to do some of their outstanding work on Tooth related stuff.  It's been nice to have a supplement that hasn't been flicked through then shoved in a box until someone starts searching it out.

14
Classifieds / Action Comic Collection
« on: 08 April, 2018, 06:34:35 pm »
Well, with the impending loss of a job it's looking like I'm going to have to make a few hard choices so I'm going to start with the low hanging fruit in the best tradition of our glorious government.  I have a full run of the 1976 / 77 that is in need of a new home.  Issue 1 has a tear to the front cover but issue 2 has the Hookjaw iron on transfer. 

To sweeten the pot, this also includes the Martin Barker History with the reprint of the pulped issue along with the 1977 Summer Special.  A number of issues have the usual newsagents markings on but other than the first issue, none of the others suffers from any major defects.  All are bagged and boarded.

This is an interesting part of tooth's history and it is with reluctance that I'm parting with it but necessity is the mother of intention.  I'm looking for £250 which is pretty much average based on recent ebay sales and would be willing to travel for collection / delivery to try and minimise delivery costs.

15
Other Reviews / Johnny Alpha
« on: 03 April, 2018, 08:44:19 pm »
One of my biggest problems post revival with Alpha has been the coldness of the character.  To me there was always a warmth at the depth of him.  He may well have been a cold and calculating killer but the calculation was often in terms of the impact of not following through on his actions.  The Doc Quince case is probably the strongest example of his morality, something that seems lacking following his return to the land of the living.

Except, re-reading rage and Incident on Mayger Minor, I wonder if I've missed something.  There is a coldness to him even here.  Tempered granted, but even so he seems to lack that something that he had previously.  So now I find myself re-evaluating some of the more recent stories.  I wonder if I forgot how much of an impact Wulf's death had on him in those final years and how much of that has carried through to now.  Certainly it would explain his attitude towards Wulf's son.

Lots to ponder.

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