Welcome, Guest. Please login or register.

Login with username, password and session length

Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Messages - Jacqusie

Pages: [1] 2 3 ... 30
Prog / Re: Prog 2083 - Fame in the fifth dimension
« on: 28 May, 2018, 11:31:36 pm »

So yeah strong Prog and a nice summation of why 2000ad is the Galaxies Greatest from Tharg in the Nerve Centre

The strange thing I've noticed about Thargs missives and especially this one glaringly, he's reeling off a list of what's in the prog, next to a big old list of what's in the prog...  which is next to the Dredd story, which is in the prog...

I'm never a great fan of the contents page at the best of times as a space filler and Thargs messages dearly need a bit of umph methinks, tell us what's up and coming, what's happened to the 2nd part of Helium or (a long shot I know) Stickleback!  ;)

Prog / Re: Prog 2082 - Out For Blood!
« on: 20 May, 2018, 12:53:38 pm »

 For me, Survival Geeks wore out its welcome a loooong time ago.  Not in the slightest interested in a bunch of forgettable paper-thin characters running around saying "Look at me! I'm acting zany!

I'm with you on that Cow and I was, until the last series when I had a 'getting old' moment.

2000AD needs to attract the younger end of the market and as I see it, Survival Geeks speaks more to the yooths in it's style and delivery, although there are references for the more mature among us.

I'm also mindful that 2000AD is a broad palette and my tastes in Stickleback (is that the end?), Absalom, Hope, Kingmaker, Indigo Prime etc might not be to the liking of others who dig on stuff like Brass Sun and Survival Geeks.

It's been two years since the last lot of SG and so maybe it's due a turn. Although I won't be reading it in depth, maybe it's freshness is better than the nonsense that ABC warriors has become for old readers, never mind new ones trying to figure that bobbins out...  :think:


Rather than start a new thread, I remembered this one, as at the time, I still hadn't read New Statesman.

I started reading Crisis with the 1st copy and as a poor school lad, had to make the decision to spend my money on it and 2000AD, or buy some Deadlines and see what the fuss was there instead, and what a great fuss it was.

I crept back to Crisis on issue 17 to see what I had been missing and was a bit dissappointed to see that The New Statesman had finished, but carried on collecting anyway as there were now 3 stories so all good. Throughout the years I saw adverts for the US versions of New Statesman and again with no more comic money, carried on in ignorance to what happened after that one episode I'd read (and understood very little...)

So I've recently took the plunge, bought Crisis issues: 2-16 and took my time in reading a story that is nearly 30 years old and what a story. I loved John Smith's writing at the time in 2000AD, it was like nothing else and had always wondered what spin he put on the super hero's over at Crisis.

Strangely enough, I managed to read this before I finished the series;


...a great synposis of the series with an eyebrow firmly raised with a wry smile. The other thing that took me back to the Statesman was the death of it's (mainly) artist Jim Baikie.

I loved Jim's work and always thought his scene setting and characterisation were superlative with attention to simple everyday things that seemed to give the stories gravitas and a depth through his art. He could tell a story with little words in a few panels, which fired my imagination, wondering of how it all interconnected and the stories untold that we only caught a glimpse of in his amazing eye for detail.

Smith's script is different to what I was expecting. Sure it's hard to follow in places, but it had little of the bizzare madness that he was able to scribe so well back in 2000AD. There was a set of strong story lines that dripped with political statements and criss-crossed leading to a singular showdown, that I have to say I didn't see coming. Although there was some classic Smith unconventional narrative and wierdness, the storylines that we were invited into had a maturity and depth to match the artwork.

There are too many plot lines and characters to dive into here, you have all complimented the big gaudy picture book, but safe to say that I'll be reading it all again in a year or so and as with many of my favourite Smith stories, I'll enjoy understanding and finding those plot threads that finally link up, such is the joy of discovery in these comics...



Music / Re: Upcoming Gigs
« on: 01 May, 2018, 12:21:46 am »
Just got my ticket for Courtney Barnett at Manchester Academy in June.

I veer from really liking the Barnett to finding some of her stuff rather pedestrian. Still, she's doing good and I hope you have a brill gig.

I saw aging folk stalwart Micheal Chapman perform a great set on Friday in Sheff and it's the return of Gomez tonight in that there Manchester Royal Albert Halls, playing the whole of Bring in on... yes indeedy!  :)

Prog / Re: Prog 2077: New York State of Mind
« on: 14 April, 2018, 05:52:51 pm »
I don't mind saying that after I read this weeks episode of Stront I needed a hug. An outstanding episode.

It was rather emotional wasn't it? Good use of trauma/fever to welcome the Wulf back into the strip & have words with Johnny.

One thing that confused me about the endy bit, was Kenton was telling Johnny he was all ready to quit as he's endangered his life and then the next minute, he's off on another daft one...

...still makes for more fabulous stronty dog mayhem & maybe a chance to prove himself as a chip off der old cucumber...  :)

Music / Re: Upcoming Gigs
« on: 30 March, 2018, 06:36:18 pm »
Cool yeah I'll try to give you a clue as to who I am...

Ha ha, yes that would be good to maybe say hello.

I did the Belle and Sebastian thing a few weeks back at Manchester Bridgewater Hall, backed by an orchestra and they were fabulous.

So it's back there again for Steven Wilson (Porcupine Tree) on Saturday to get back to my old prog rock roots.

Saw that Natalie Merchant (10,000 Maniacs) is over in the UK this summer, so snaffled tickets for Buxton Opera house in July.

...the venues are getting grander the more we all get older it seems...  :P

Prog / Re: Prog 2073 - Future Visions!
« on: 20 March, 2018, 07:57:02 pm »
She makes her peace with the Goth-King, who cancels his bounty, allowing Durham to walk off into the starset with an assassin-priest named Toroni (with whom she hooked up in Night of the Hunters). All of which paved the way for Durham to wake from cryo-sleep a thousand years in the future

Thanks Alec for that fabulous recap and summary. I enjoyed Peter Hogans work, at the time it felt a bit like some old wounds were healing with the series and the characters started to reappear.

So Durham Red went off on her merry way at somepoint to the sleep machines, but where is she in the current series of Stronty Dog?

My guess is that's she's havng her snooze drifting off somewhere in time and space, but she's a great character to revisit in a different way as per the Scarlet Apocrypha.

If only someone would write a new story for her, maybe with a bit of a re-design and a different artist that's earned his spurs on some big stories... like Dredd... that would be ace!  :)

Prog / Re: Prog 2073 - Future Visions!
« on: 19 March, 2018, 07:17:49 pm »
There is the question too of where she is in the current Stronty set up/timeline?

Is she frozen / asleep in space or something?  :think:

Last seen briefly at the end of Mutant Spring (prog 1821, I think?) in a silent cameo. I do wish we could end the coyness about these characters and just clarify where they are, even if it is to just remove them from play. Say what you like about Ennis/Hogan's Gronk stuff, but at least it gave some sort of direction and resolution to a once-major character that the main strip had abruptly dropped without mention.

The way I figured it, Durham Red is around in this Stronty Dog timeline somewhere, but I can't rememeber when she was supposedly 'frozen' etc and 25900,000 years later came back in that very odd series in the future I couldn't best folllow.

Oh and the last SD series - Repo Men was in progs 1961–1971 (2015–2016)

...At this rate that's a story every two / three years.

I can understand after the chequred history that people would like to see both creators stay on the job, but someone mentioned Chris Weston on Stronty... now that would make a brilliant one off story ey?

Prog / Re: Prog 2073 - Future Visions!
« on: 18 March, 2018, 11:59:54 am »
Some of the Tales of the Doghouse and Gronk stuff just ... well, what can I say?

I enjoyed 'Tales from the Doghouse, especially 'Maeve the Many Armed. Simon Jacobs B&W artwork was glorious stuff and although they were light hearted in nature, they told stories of the other stronts (who can forget 'Spud Murphy?), which now they have got the doghouse back, could be a good source of stories (Colin McNeil did a few of those too I recall).

The fanzine 'Dogbreath does this very well and it will be interesting to see how the new Durham Red plays out. There is the question too of where she is in the current Stronty set up/timeline?

Is she frozen / asleep in space or something?  :think:

Prog / Re: Prog 2073 - Future Visions!
« on: 17 March, 2018, 07:27:45 pm »
***why cant I modify?***

Personally, I was happy with the flashbacks, but I can see a value in the resurrection, but only if we get the pay off of Stront pushing forward and with one story every year at best, it feels too slow - let me controversial and say I would be happy to see other artists on Stront (if Carlos really wants to draw other stuff, and I'm sure he does!) in order to gain that momentum

You're not alone in thinking this. I've been in the same dilema about the resurrection of Johnny Alpha, as it was great to have the flash back stories with the old gang including Wulf of course.

The secong Mutant war and Johnny's apparent discontent about being dug up, made for rather strange reading, despite the action going on. The Repomen storyline seemed to kick start the Strontium Dogs again and gave some light relief to the series and it's also great to have the new Son of wulf story in our hands at last.

I do agree though that one series a year is hard going and that maybe another artist might have a go? Simon Colbey would do a great Stronty and I do think that Colin McNeil should get another chance after drawing the end of the final solution... it would be some sort of redemption and full circle for the team?

Maybe a new writer might breathe some life into it too... that is if Wagner ever want's to do a job share...


Ok my 10 penneth...I've just been reading a stack of progs from 10 years ago and there were some pretty bloody good stories around then. Every age has nostalgia for how it once was, but I sense a collective spirit on this thread (and some other recent ones) of detatchment from the prog at the moment.

10 years ago ABC Warriors was pretty much the same as it is now, same storyline, plot and characters and it was 'fairly' fresh then. Dante was in his pomp, Defoe had just started, Button Man had it's last series, Caballistics Inc was amazing, Wagner was on Dredd with Mandroid, Stickleback was still Stickleback and Cradlegrave was just round the corner.

It's always easy to look back with rose hued spec's, but I'm stuck in the same place as some of you on this thread, do I stay through sheer loyalty of 30 years buying the prog, or do I hold my hands up and say that maybe I've outgrown it rather than the other way round...

I'm not sure I can stand anyore Slaine or ABC Warrior stories where they are about to be 'destroyed' before wonderously coming back to life and beating the bad guys until the next time and Book VXIII

There are the odd bright lights, Absalom is the best thing in the prog and it's a shame old Harry is on his lasts legs now. Hope is wonderful and there maybe more of this. When Rob Williams and Wagner do Dredd, they do it to show me why I fell in love with the character and his world in the first place and it's great that Develin Waugh and Indigo prime have had a new lease of life.

I don't think 2017 was a vintage year for the prog and 2018 hasn't started well either, although we did have Scarlet Traces and the much missed Kingmaker and I think this is where the problem lies for me.

I'm enjoying the odd story here and there and tollerating others (The Alienist, The Order, Brass Sun Zzzzz), whilst having a certain dislike to much of Sin/Dex, Greysuit, ABC / Robusters and very sadly Slaine.

The old feeling of looking forward to the prog on a Saturday is still there, but soon as I open the pages, it pretty much dissapates... so here's hoping with the next run of stories.

It will be great to see David Roach on Anderson as well as Chris Weston on Judge Pin (longer stories please!) and of course having Stronty Dog back, it's been far, far too long... and that's for another thread sometime...

Music / Re: Upcoming Gigs
« on: 02 March, 2018, 06:05:40 pm »

...although Belly are coming back to UK in the summer.

While they are no Muses I did adore Belly (and yes Tanya) back in the day and so I'll be there. Your in Sheffield aren't you Jacquise are you going to The Leadmill to see them. Me and some friends have our tickets already.

Hi Colin, yes I have a Belly ticket for the Leadmill, good that you have too. I did get one for Manchester and then realised that they were playing Sheff!

I am always wondering if the Muses will get it going again, but as you say, Belly are a pretty fine outfit in themselves, I might have to bump into you to say hello!  :)

Music / Re: Upcoming Gigs
« on: 02 March, 2018, 12:35:11 am »
The 90's 'It' band Sleeper with Louise and the Sleeperblokes tomorrow night... that's if the snow doesn't stop play!

General / Re: Best strips of 2017
« on: 22 February, 2018, 11:47:17 pm »
sorry I do realise that I'm rather late for all this malarky, but here goes anyhoo...

1) Absalom

2) Hope ...for the Future

3) Kingmaker / Indigo Prime - tied

The black and white make the top two, it never goes out of favour with good storytelling...

Prog / Re: Prog 2066 - Bors Hunt!
« on: 02 February, 2018, 12:01:52 am »
The Dredd tale seems rather odd to me, can't quite put my finger on it...just doesn't sit right.  Although it is in keeping with Dredd's of late. More generally, over the last few years Dredd seems to have been stumbling from one beating to the next, generally getting captured, brutalised and beaten. Along the way his life is saved fairly regularly by minor characters. I appreciate he's getting on a bit, but he's presented more often as a liability than an asset to MC1

I just don't think Michael Carrol gets Dredd. His scripts are all over the place & when it comes to Dredd and supporting characters, they are behaving in very odd ways. Take Hershey in that Texas mess, she was portrayed as a lame duck and she really isn't. Dredd's getting on a bit sure, but he's still Dredd and a damn a good Judge.

It's stuff like this that's making me wonder if I too have out grown the prog after 30 years. I'm not enjoying the fragmented nature of Carrolls stories and the way Dredd's been allowed to go. I miss the world building Wagner did so well, including some great supporting characters in Dredd's world, that we just don't get any more... it's a real shame...

Pages: [1] 2 3 ... 30