The Cloverfield Paradox is a fun bit of sci-fi horror that fits into a mini-genre (or cliche) of a group of people in a spaceship where What Can Go Wrong Will Go Wrong, in the same sort of magical way that Final Destination works.
Whatever services the plot to move it to the next bit of heightened mayhem works because ... quantum flux capacitor dimensional rift blah. Not taking itself too seriously works in its favor, and it manages the (almost) straight-faced line "I think my arm is trying to write something", in reference to the character's disembodied limb, which has been trapped in a perspex box and given a pen and paper.
Probably more of the plot could have revolved around this, as it worked so well in Dr. Terror's House of Horrors. And Evil Dead II.
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In a more tedious way, Revolt is an alien invasion story in which special effects heavy robots without a personality (that make repetitive sound effects borrowed from Transformers) do some invading until someone eventually EMP's their collective ass. Like in almost all alien invasion stories.
Only really worth it for this bit of cheesy-like-nachos dialogue:
Male hero: you shoot well for a ...
Female love interest: ...woman?
Male hero: ...doctor!
Female love interest *swoons*
