It was all shot and edited by the time I was approached, I asked them if I'd approached Rebellion about it, and they said they wanted to get it all finished, since it had been shot and edited - so they were too far along the line of putting money into it for Rebellion to say no.
Having done it 'the proper way' by jumping through hoops on two other films, we still got increased restrictions with SD that makes me not want to ever do one again, even with the IP holders 'blessing'. Whatever that means.
Minty was sort of OK, but after that there were clauses that meant that any submissions to festivals meant that Rebellion could pull permission at any point. No crew t-shirts allowed. No ads on youtube (even if proceeds went to a charity) + other stuff.
Although strangely when Rebellion hosted the Minty trailer on the 2000AD account, they did allow youtube revenue. Cheers.
After being asked to fill a gap at the 40th, and Steve coughing up for the AV hire (which was then used to screen Future Shock), the online release went past with not a tweet or mention (cheers again).
As for Rogue...
Rebellion and the Rogue Trooper account tweeted/retweeted about it - whether that was a change of heart, or whoever runs those accounts not being kept in the loop, I don't know, but it just adds to the atmosphere of not having a set of clear rules, and I really can't be arsed with it, or Rebellion any more.