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« on: 23 October, 2018, 07:55:15 AM »
Much as I've admired Steven Moffatt's writing, going back to Press Gang, I always suspected that most young viewers were tuning out the convoluted twisty stuff to get to the monsters, while the classic series was usually too drawn out and boring, essentially made for the fans with the meaning conveyed in overly fast monologue. RTD also set in motion the tradition of everything becoming increasingly epic and increasingly meaningless
I'm really appreciating the new (old) style to the show, made like regular drama, the subdued music, the anonymity of The Doctor and de-emphasising of the stock companion role.
What the show needs though is not necessarily many more twists (though one per show would be nice) but some sense of moral dilemma. Educational as it was, it was obvious that this week we were going to learn that racism is bad, though we missed an opportunity to explore what might create or normalise racism, perhaps with a villain who was sympathetic, who thought they were being morally kind in some way, or underwent a journey. The series villains have been unimpressive and thin gruel so far. Hopefully more ambitious writers will be work well, 'reigned in' under the new regime.
Also, I have to disagree with everyone about Bradley Walsh; he really doesn't seem to be a very good, or interesting actor to watch.