ZACK SNYDER: Here is a film I have made, and it is about the inevitable failure of capitalism and why concentration camps are bad.
SOCIAL MEDIA: Typical Snyder. So right wing.
That Zack Snyder's ARMY OF THE DEAD is an anti-capitalist and anti-imperialist work is apparently irrelevant to the living torment that is social media commentary, for Snyder is a right-wing hack and that is the only lens through which his work is allowed to be evaluated. A Sean Spicer cameo is highlighted as proof that the film is right-wing, but Spicer's cameo actually sees him schooled by an African-American woman for failing to acknowledge racial profiling and America's jailing of political dissidents. Within minutes of this, we see life in America's concentration camps as a living Hell in which people can "disappear" at the whim of guards who use their authority to hide their raping not just detainees, but also those who enter the camp as medical volunteers. The camps full of people deemed less than human and a threat to American security, treated like they're diseased, all of them seemingly Latino, all confined behind a massive wall - I don't know who needs to hear this in relation to a Zack Snyder movie but this is not subtle stuff, it is not hard to miss, and none of this is my "hot take", this is the actual text of the film story.
There's a whole sub-plot in this movie where an alpha-male character is struggling to communicate with his daughter, and Snyder devotes long, seemingly aimless minutes to a father and daughter failing to express themselves adequately to each other and they cut the conversation short thinking they have time to work this through. They've left this conversation in a bad place, but they'll sort it out later. There's time.
I can think of... another interpretation of this part of the story which was written by Zack Snyder that doesn't involve his right wing politics, but Zack Snyder is right wing, so it's probably just about how he doesn't understand women probably.
There's an axiom in left-wing thinking that goes "we can sooner see the end of the world than accept the end of capitalism", and in recent years this has been born out to be true because capitalists are literally burning the planet to death, but if you want to see a fun examination of this notion played out with a zombie tiger, this movie has your back. I really enjoyed its silly mix of heist and zombie tropes and while I did feel the running time once or twice, it's got plenty going on to keep you occupied. It starts with a just-married woman declaring "I love life WOO" and if you know where that's going - and you definately do - but can keep watching anyway, you won't have any problems with this.
