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2000AD creators & people trying to become 2000AD creators

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Art:
...damn, the board ate my long rambling post. I'll try again tommorow.

stront692:
im a bit bored and io want to create some polls for my own use, so i may have to write or something soon

does that class me as wanting to become a creator, i wanted to write scripts when i was younger but its not really pointed out and has always seemed a bit of a magic art so i never really bothered

apart from a bit of self publishing many years ago and work newsletters, does that count

stront692:
oh, i cant draw very well - thats why im gonna have to write something by the way

Woolly:
Id really love to see this when its finished, Dudley. Anything that could get me off my idle arse and working on some FINISHED pics of Dredd would be invaluable.
Ive always wanted to submit something, but always been a bit worried of, well, doing it all wrong and not getting noticed.

Thanks in advance for putting in this effort!

Wul

Art:
Okay, lets try that again:

I've noodled around with comics for ages, but I only really started taking the idea of actually getting published seriously when 2k printed its submission guidelines in, I think, the 2001 Winter special. Filled with enthusiasm I took an idea for a story that I had been knocking around with for a few months and tried to write a script for that over the course of a couple of months. I ended up creating several versions of it, gave it a horribly complicated back-to-front structure and then took it out again, and changed the ending because no one who read it really thought it was strong enough, and then eventually there was nothing left to do but to send it in and hope.

Then I suffered brief period of unemployment, and ended up writing a couple more stories based on ideas that I?d had whilst writing the first one. Remembering the early careers of writers like Isaac Asimov, Philip K Dick and Stephen King I thought the root to getting published would be to bombard the editors with stories until something sticks. I now suspect that this was almost completely wrong, but at the time sending in stories at a rate of one a month seemed like a reasonable target.

Eventually the exciting day came when I got my first letter from Tharg, or rather Matt Smith, who was reading the submissions at the time. It seemed to respond favourably to my first script, ?Emigration?, but the other two stories I?d sent in ?didn?t really grab him?. So I rewrote Emigration and sent it in again, but got no reply: Rereading that letter now I suspect it was a very polite and helpful rejection, but a flat out rejection none the less.

(A 6 page version of ?Emmigration?, complete with Matt Smiths suggestions, ended up in Issue one of FutureQuake, along with a revised version of ?The Ripper?, another one of those early scripts)

Around about this time I discovered the Scriptdroids Yahoo Group, which was a great place to post up scripts and story ideas and get feedback on them. At the time there was al ot of involvement from various droids (In particular Simon Spurrier and Gordon Rennie) and small press luminaries. Posting an idea up there was a great way of telling if an idea that you optimistically hoped other people would find interesting was actually just one that you found interesting, and I think I learned a lot about what works and what doesn?t from that feedback. Also seeing all the ideas flying around I first started making loose plans for a  ?futureshock fanzine?.

When the time came for Dreddcon II  I made a last minute decision to enter the pitchfest, which was absolutely terrifying. I had a story that involved a psychologist investigating a cargo cult on a colony planet which I?d come up with the week before (I?d sent everything else in to Tharg already!) which I  presented badly, and it wasn?t really suitable for a public pitch like that anyway: It was vague, particularly dramatic and relied too much on background detail  in a situation where a clear punchy story was required. I did get to meet a few druids and have a few chats with people I?d met online afterwards though.

Over the next year Scriptdroids died off a little ? it was basically trolled to death, causing most people with anything interesting to say left and is only really beginning to recover now. Also Tharg closed to the door to unsolicited submissions, so I ended up concentrating my energies on small press projects for a while. I also heard through the grapevine about Past Imperfects ? a new kind of 5-page thrill based on alternate histories, something that I found incredibly interesting, so I started working ona few ideas for those with the idea that I would somehow find a way of getting them in front of Tharg.

In the end the opportunity to do that was the Dreddcon III pitchfest, which I ended up winning. It didn?t mean guaranteed publication in 2000ad but it did mean that Tharg would look at my script, which he ended up buying after requesting a few minor modifications. Hopefully you?ll see the result sometime this February.

Having sold one script to Tharg I was hoping it would open the door to more, but it hasn?t really been the case as yet. There?s definitely no secret writers club where you?re on easy street once you get in: Every sale is as hard as the first. Still, I?ll keep trying: I?m sure I?ll hit on a killer idea that Tharg can?t resist sooner or later.

And of course FutureQuake is going pretty well, I?m hoping that issue #2 will be as good as #1, and its become a celebration of short comics storytelling in general and not just Thargs left-overs , which is good (I would definitely advise anyone interested in becoming a comics writer to get involved in small press comics, there?s nothing quite like seeing something you?ve written actually drawn up and on the page).

Anyway, hope that?s been helpful and not too boring.

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