I thought everything was holding up pretty well this week, with the four regular strips maintaining their high standard. And the Future Shock was an improvement over last week, albeit mainly because some of the puns were amusing rather than the story being especially good. I presume Eoin Coveney only managed one page because Gordon Rennie suddenly delivered the next set of scripts for The Alienist..?
'An Honest Man' seems perfectly weighted at six episodes - any longer would feel too drawn out, shorter would deny room for development. As it is, the tension levels are perfectly set going into the final instalment. I guess we're all going to get Billy Joel earworms at the final part of the Kyle Asher trilogy?
Great change of scene in Hope and a reminder that our eponymous protagonist is no-one's Mr. Nice Guy. Did anyone else study the final frame of Brink for ages, looking for something to indicate Maslow's interview wasn't quite as secure as he hoped? (I have missed something, haven't I?) Also, on a technical note, would I be right in thinking the Culbard droid probably generated the interview room in a 3D app before inking it and drawing in the characters? Fiends has been a blast but in all truth a bit too close to Absalom for me to really get on board. Still, each chapter under Ian Edginton's aegis has had a different style so let's see where it goes next.