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Prog / Prog 2317: Escape Route
« on: 28 January, 2023, 01:36:43 PM »
First up, that cover. I’ve loved that image since I first saw it. If ever Tharg (or Harrison) fancy turning that into a print, I’ll be first in line to buy one.
Overleaf, Dredd goes on a jaunt into outer space, seemingly setting up a scrap with a load of d-list foes. (Or relatives of d-list foes he’s killed.) It’s just the set-up so far, but a nice change of pace after Niemand’s short series that punched everyone’s heart out.
The Out moves things on nicely, with Cyd travelling again, but layers on additional intrigue. It feels like the bests of 2000 AD. And then you turn the page and end up with Joe Pineapples. The art is quite good, in a sort of 1990s Heavy Metal vibe kind of way. The scripting isn’t the worst episode so far, but, well. (And after following one of the more modern strips featuring a female character, it’s a bit depressing to have this one going WIMMIN, EH? BUNNY BOILERS! UNGRATEFUL BRATS THAT DON’T LIVE ME! Bleh. It feels like it’s beamed in from the 1970s.)
The Order kicks off its final run. Unsurprisingly, horrible Armoured Gideon aside, Burns supplies lush painted art. And Kek-W wisely spends half the episode provided a potted history of what’s been going on to date. Whether the strip will remain comprehensible is another matter. Proteus Vex then ramps things up in the ongoing conflict.
In all, while the Dredd isn’t hitting the same highs and the other quality strips aren’t providing key moments, it’s another 4:1 issue for me. Good stuff. Here’s hoping that continues.
The Out > The Order > Proteus Vex > Dredd >>>>>>>> Joe Pineapples
Overleaf, Dredd goes on a jaunt into outer space, seemingly setting up a scrap with a load of d-list foes. (Or relatives of d-list foes he’s killed.) It’s just the set-up so far, but a nice change of pace after Niemand’s short series that punched everyone’s heart out.
The Out moves things on nicely, with Cyd travelling again, but layers on additional intrigue. It feels like the bests of 2000 AD. And then you turn the page and end up with Joe Pineapples. The art is quite good, in a sort of 1990s Heavy Metal vibe kind of way. The scripting isn’t the worst episode so far, but, well. (And after following one of the more modern strips featuring a female character, it’s a bit depressing to have this one going WIMMIN, EH? BUNNY BOILERS! UNGRATEFUL BRATS THAT DON’T LIVE ME! Bleh. It feels like it’s beamed in from the 1970s.)
The Order kicks off its final run. Unsurprisingly, horrible Armoured Gideon aside, Burns supplies lush painted art. And Kek-W wisely spends half the episode provided a potted history of what’s been going on to date. Whether the strip will remain comprehensible is another matter. Proteus Vex then ramps things up in the ongoing conflict.
In all, while the Dredd isn’t hitting the same highs and the other quality strips aren’t providing key moments, it’s another 4:1 issue for me. Good stuff. Here’s hoping that continues.
The Out > The Order > Proteus Vex > Dredd >>>>>>>> Joe Pineapples