GAH! Went to buy 1833 this afternoon and they flopped over to 1834 a day early leaving me with a hideous lacuna, an epistemological gap that no god can fill. As a result I went into this one in a cranky humour and saw little to change my mood.
Zombo was good, with the real possibility of two Zombos like the folkloric worm cleft'i'twain and President Van Satan in charge an exciting way to leave things, although the SW reffing did get a tiny bit heavy even for my taste.
Stickleback was lovely, but it seems really unfortunate that it's finishing next week. I enjoyed the diversions we had along the way this time, but after so long a break it would have been good to get a meatier more self-contained chunk. Maybe they'll surprise me yet.
As to the rest...
Sinister Dexter: Looks absolutely great, but I'm not loving the return to the center stage of the parallel universe storyline one bit. After the underwhelming but protracted chase through Anthony Williams' version of every 2000AD setting that supposedly wrapped everything up, I thought we were supposed to be back to basics. I imagine Dan is just baiting us with this, and the Moses situation will turn out to be something else, but speaking as a big SinDex fan, this isn't doing much for me Art aside.
Dredd was, I'm sorry to say, pretty weak, hanging as it does on a revelation that was news to few, and I imagine a 'who?' moment for others. I don't know what happened last week, but I didn't feel like I missed anything. Cadets can get sent to Titan now, eh? Seeing as they aren't judges, this seems to diminish the 'ultimate punishment' the place represents for those who betray that highest office. Some lovely characterful art on the Undercity sections gave this episode a big lift, but I still hate Dolman's look.
Cadet Anderson: Stop, just stop right there. A squad of white-helmeted cadets cruising around the city with impunity, spouting platitudes and shooting citizens. What's the life-expectancy of fully-qualified judges once they hit the streets? What's the point of a Full Eagle again? And wait, what's this, a stockyard and a falling crate? Didn't this happen in the Yeowell-drawn one too? I understand that something shocking happened last week that may give all this additional weight, or even make sense of it, but on teh strength of this week's outing not even Ezquerra's breezy open art and glorious futurovehicles can make me like this.
It may partly be the hateful one-week hole in my reading, but that there Prog does not come up to usual standards. SharkbahTM.