I thought the most telling line in Nic's letter was "my kids prefer the classic violent stuff". I don't think even the most ardent proponent of the Regened strips would argue that they aren't extremely sanitized in terms of removing violent content, or in fact content of any controversial or potentially contentious nature. It's all, sadly, far removed from the era when Action and 2000 AD would actively provoke outrage. And it's creating a huge schism with the regular content, which over the past couple of weeks has included face-fryings, cock jokes and all manner of depravity in The Diaboliks.
Still, if you can scare kids with Words and Pictures, perhaps there are a generation of children who'll grow up with traumatic memories of Finder and Keeper (I know a few adults will...)
Anyway...
Love me an Alex Ronald cover, and that 3D wireframe looks wonderfully Harryhausen. In fact I'm looking at the final part of 'The Hard Way' now imagining Keeper Hag moving like a stop-motion puppet. It's a bit of a hectic conclusion (does Dredd know he's going to be swept straight into the airlock?) but I guess that's in keeping with the breakneck pace of what's been a very enjoyable story.
A portentous wrap for another excellent run for The Diaboliks. I feel it's been a rather underrated strip lately; perhaps it's languishing slightly in the shadows of Caballistics, Inc. and Absalom but it always gets on with the job of being discreetly brilliant. The Pandora Perfect strip has been much better than I anticipated - a thought just struck me that maybe it could run as a one-pager, like the old Captain Klep and Dash Decent stories? Scarlet Traces has lost me plot-wise (I say 'lost', I haven't read the chapters so never really found the plot in the first place) but I love its weird aesthetic.
And... The Out. The Out is like a box of chocolates, you never know what you're going to get - but sometimes you get the same chocolate from the bottom layer as you got a couple of weeks ago from the top one.