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« on: 08 August, 2022, 04:15:05 PM »
I can't help but feel there's a whole raft of comics that suffer from trying to be too clever around this era. You've got Mills banging out Slaine epics that mostly seem to exist to show off his research of <insert historical epoch here>. Moore is producing From Hell with it's extensive appendicies of notes detailing all his research into the ripper and victorian London. And Cerebus is left in a holding pattern while Dave Sim shows us his literary nerd credentials/aspirations with Melmoth (and that only gets worse with Form and Void and Going Home with their notes/rambles about Hemingway and Fitzgerald).
As someone who came to this stuff later in life it does feels a lot like (some) comics writers in the 90s had a chip on their shoulder about not being considered "proper" writers and over compensated.