Batman's Superior Cousin: thanks for the Skip Tracer recap, although I still struggle to remember anything more than someone at some point being a pop star someone was trying to kill. Oh well. Given my terrifying reading pile, I can’t imagine I’ll pop back to run through all of this strip just yet.
Some broader themes from this thread:
1. Watching Stranger Things, I’m astonished anyone would let an 11yo watch it – especially the latest series, which is horrific. That’s properly 18-rated stuff, in my book.
2. I don’t align with the view the entire Prog should go all ages, but I do find it odd that some minor shifts aren’t encouraged to widen the audience for certain strips. Perhaps the current editorial team likes a good shit (so to speak), but I don’t think any of the strips would be eroded by cutting back on swearing, excessive violence or nudity. This isn’t about eradicating such things, nor losing the comic’s edge, but adding potential for a wider audience. My guess is that 2000 AD doesn’t see any value in that strategy and instead currently considers itself closer in nature to Image.
3. With the Regened Progs, I almost feel the need to bold Jim’s posts or pin them to the top of the forum. Alas, we don’t have a pin function. But, yes, kids don’t read weekly comics. Mine is the only one in her entire class – possibly her entire year – reading two weeklies. She knows friends who have Phoenix comics, but not a subscription. One friend who read the Beano every week now appears to be going off it. But these kids do read trades. That’s where the money is. But they’re also a risk: publish and don’t find and audience and you’re fucked. But if you have an outlet where you can build up material at a relatively low risk and the trade becomes reprint…
Ultimately, modern ‘2000 AD’ needs to be thought of as ecosystem. We have a set of publications that all feed into each other in various ways. Any big changes would need to be very carefully considered. And the evidence suggests that while some of the smaller shifts have irked a vocal minority, not that many people really care (bar a handful of subscriber flouncers), and Regened is finding some kind of audience. We’ve also seen Monster Fun, which – despite, IMO, some problems that need to be overcome – must have found an audience too, given that it’s now a regular (albeit only a bi-monthly).