For me the flaw in many arguments (not necessarily here) is "kids don't read comics". Maybe they don't read weekly adventure/romance/humour comics bought from the newsagents like what we did, but comics are in the bestseller lists every week. Tell Dav Pilkey, Raina Telgemeier, Grace Ellis or Kohei Horikoshi that kids don't read comics, those folk shift truckloads.
Rebellion trying to carve out some territory in that market, while trying it back into their heaps of existing IP and current sales model, just makes sense. Whether the ultimate goal is a field-tested standalone comic, a pre-funded source of material for individual collections, or a broadening of the offering of the weekly (as with FTB), or all three, I think it's worthwhile.
I don't like everything about Regened, but I like a lot of it - you could certainly make a damn good comic out of the strips I have enjoyed, and I find I look forward to a slew of novelty every few months. I'm not a subber or a completionist and I still pick them up.
I don't buy the argument that a two-week break in regular stories is detrimental to 2000AD as a whole: we're comics readers FFS, we regularly put up with years between issues. As I've said before, I think that co-ordinating Regeneds with jumping-on progs is probably a bad idea, as that really does represent a break in reading, becoming a jumping-off point.
I think it’s fair if Rebellion are tying to gain a stronghold into that market in order to attract the kids who are reading that stuff across to their own products. The issue I have is using 2000ad to do it.
If 2000ad loses its identity then it’s no longer 2000ad.
Some folk seem to have an issue with this viewpoint from older readers but at the end of the day, for me personally, I’ve bought 2000ad for the last 30 odd years and have long been a subscriber. That’s a long time to support the comic and if starts to develop into something we no longer have an interest in reading them I think it’s fine to be upset with that. It’s a big part of my life, it’s always been there and I want to enjoy it.
I don’t like the regened progs but I can tolerate subsidising them 4 times a year as part of my subscription.
Once the storylines start to eek their way into the weekly then when it becomes more of an issue.
From the last few years I read the prog cover to cover, with the exception of Skip Tracer which I just look at the nice pictures and move on and Full Tilt Boogie which I found completely unreadable.
There’s always going to be the odd strip that doesn’t work for us in an anthology and that’s ok.
As long as it remains the exception.