Messages

I love that idea. My cat is doing his best but he's a fairly incompetent little guy and doesn't eat as many moths as I'd like.

Tooth still fairly grievous, but thank you for asking! Only two weeks till it can come out.

I think that's a really, really good reading of things. Between Better World and this tale, Dredd does look old and a bit rubbish.

My problem is, as a reader I know Dredd will just plough on due to his IP value, so the tease of any big change seems hollow given how we've seen changes handled before. I'd love to be proved wrong though.

Dealing with a moth infestation here at Casa Boots. It turns out having a big pile of mouldering heavy metal t-shirts stored essentially on the floor is not best practice.

As a veggie and part-time hippy I try to avoid killing stuff but I've had to buy one of those horrible glue trap things and its rapildy filling up with tiny corpses.

I've dipped back into Terry Moore's Strangers in Paradise, which I read a bit of a long time ago and remember enjoying, and either I've changed or this has aged really badly.
Katchoo is an awful, violent person but what did it for me is when David, who is presented as a good guy throughout, tells her he doesn't believe she is a lesbian for no other reason than because he fancies her and then doubles down on that when she rightly tells him to get lost.
Denying someones sexuality = not cool. That's the 90s for you I guess.

[Dredd]

Dredd - to more or less agree with what others have said, for me, this ending outright sucked.
There's some neat things about how this story was set up - it seems there's a deliberate decision here to remove any context: we don't know what the judges mission is, where there are (even their destination is only 'the city') and the was no setup beyond the prologue recruitment episode: by removing any sense of exposition and focusing 100% on the action it's a very different model, like a little snapshit of violence and desperation, and I thought this was a really interesting concept.
The last episode (presumably) puts the capstone on the story though and for my reading switched it from interesting to 'what was the point'. The fun of it - besides the great artwork on display - in retrospect was the crazy concept of Dredd being chased by a gigantic bear for the whole strip and that being the whole plot. The end itself isn't a strong one: Dredd does very little throughout other than get his colleagues killed, the pit he dug to kill a massive bullet proof bear must have been the biggest spiked pit in the universe, he finishes alone and without much in the way of supplies in the middle of nowhere... and that's before we get onto the bitter fate of Moon. I'm not sure if this was an attempt to do a rug pull on the reader (she's going to be a great new character... oh! she died!) or if there's future stories coming out of this and if so this may look different in retrospect but at this stage this seems like something that really detracted from the story. It leaves a sour taste.

Moving on....

Aquila Unexpected and enjoyable episode here. Having seen countless historical types chopped down, this was a very good change of pace and a nice use of Hannibal as something other than a punching bag. Hades Delenda Est!

Indigo Prime - Good episode and a good ending although the final page felt unnecessary - possibly a better postscript with an actor less odious than Depp. The preceding page though was great, full of crazy possibilities.
I know it's not resonated on here with many, but I've enjoyed this run a lot. Part of it has just been letting the absolute weirdness wash over me - the flipside of that, now it's finished, is that I never got the investment one might have in a more conventional strip, so although we've had a resent of sorts I'm fairly indifferent about another series. If it's here I'll likely dig it: if its not I won't hanker for it. Lovely, lovely work by Lee Carter.

Brink - Great Brink-ness. Superb last page, all the better for the preceding talking heads pages.

Proteus Vex - Top thrill once again for me. The depcitions of a wounded and vengeful Midnight are especially great this week and she seems unstoppable. Still no Vex himself, still no problem! This is just magnificent stuff.

I'm digging this encouragement.

Not yet! It's a full bleed page with laminate speech bubbles, so I'm not really sure what I want to do with it with it. I should just get it up and be happy but the indecision is strong here! I think it looks nicer without the laminate...

I haven't got that Henry Flint page framed yet either.

Big fan of Romero (whose name is spelt wrong on this KS page)

Correcting myself here, as Enrique Romero does indeed sometimes appear credited as Enric Romero so consider these words eaten.

I'm tempted to take a punt at one of these but I'm still in dither mode - if I'm buying a Carlos Stront page and spending that much, I want one that's perfect. Box Paton is no Wulf sadly...

This is great, looking forward to meeting you guys!

I'm definitely not going for a run though.

Big fan of Romero (whose name is spelt wrong on this KS page) and his work on Axa and Modesty Blaise but this doesn't seem a good campaign: aside from the expected high shipping and misspelling of the artists name the gimmick covers are awful, and any KS that runs 'nude variant' covers is something that should be avoided imo regardless.

You can generally pick up the Axa reprints that were done for the US market at reasonable prices second hand, and whilst the reproduction isn't the best in places they're still good.

JBC, I'm pretty sure I have the 1992 yearbook in a pile of neglected comics here and after your that post about your love and loss of it I'd love to send it to you. If you're interested PM me your address.

I loved that 1992 yearbook...

What about a pyramid of white chocolate skulls for old Tengri?

Sweets should be Love Hearts, obviously.

There's only a handful of situations where I would choose a dripping and bloody human heart over a nice box of sweets tbh, so you might be onto something there.