In order, best first:
Lawless: Ballots Over Badrock
This is a summary episode - it's not like anyone can complain that they're not aware of who everyone is and how the plot's unfolding. On the other hand, there's that sense of wheel-spinning. Best thing in the Meg, but it's not got that urgency driving us to the next episode.
Anderson Psi-Division: Dissolution
A bit like the Kessel Run, there's an argument that not knowing how Shenker became head of Psi-Div may be preferable to knowing. That aside, it's an interesting perspective on the classic climax of The Warlord (progs 451-455). Bonus points for knowing about nybbles.
Death Cap
All the way through this, I've been wondering what it would be like to read the backstory of how the character came to be raising a family in The Cursed Earth, as opposed to this Fungus-on-steroids tale. In Fungus (275-277), the suspense came from the temporal pressure - everyone exposed was a a ticking time bomb. Here, that's been removed in favor of ongoing mutation, which makes this quite a lot like Blunt. All of that aside, this episode is good because the action and momentum has picked up.
Judge Dredd: Regicide
This manages to sneak fourth place by dint of having a Battle Royale plot that's quite fun to watch. Beyond that, I'm just not a fan of the Red Queen arc at all. This plot has taken a great character that existed sensibly in Dredd's world (Orlok) and (by endlessly cloning him) made him a joke of a threat. Whack-A-Mole Orlok. And the Red Queen isn't even a character - she's just a super-villain template. Having Dredd be in exactly the place required by the story just as Maitland launches her sting feels contrived. Can't we have a villain with an actual name? And have it not be Orlok? Why is an Acc-Div Judge launching all-out military assaults anyway? Quimby wouldn't approve etc.
Diamond Dogs III
Well, at least it's finished. Sorry - just not my cup of tea. I liked Warren Pleece's work in Crisis, but I'm not a fan of it here, and Brit-Cit doesn't seem much more than present-day London with some hi-tech gubbins thrown in. This is the Meg's Skip Tracer, but not as bad. Conversely - I could see this making a good movie or series - probably set in the present day.
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Summary: to get away with it, you need to be running three totally solid thrills at least. I'm not sure we're managing that with this Meg. I'm feeling the loss of Hawk the Slayer and Surfer.