Great episode, very cool to hear Simon & Edie's thoughts on this extremely dramatic phase of the Dante story!
Sometimes it's just as interesting hearing critiques of the episodes as it is points of praise and interest. I think some of John Burns work on this story is stellar, but I'd never really noticed how much stronger he is on some characters than he is others. I rather like his Warlord design but I always thought the whole idea was that it looked somewhat reminiscent of something out of Flash Gordon etc. It looks rather at home within the context of John's work - but yes, it's not really very imposing.
It might sound odd but I think his clothing designs are amazing. The military uniforms, the greatcoats and the like - later on his pirates too..
I agree about the palace though. And the shark.
The Tsar is awesomely bastard-y in this episode. I'm in agreement with Edie about Viktor being not worthy of a hug: I remember my wife reading that Octobriana episode and being utterly appalled by it, and moreso when I said Viktor was one of the 'good' members of the family: he doesn't really come good until later. Andreas is someone I've never quite understood why he gets so much love either. His good points seem to be 'he is a bit like Dante' (ie. a bellend) and a lot of the scenes we've seen him in, he's just being a hedonist and a mass-murderer. Is staying behind the first decent thing he does, and is it to help defend the people, or is he just trying to impress Elena?
Great comics, great podcast, and finally thank you for the whisky info, and RIP Kevin O'Neill.