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« on: 02 July, 2022, 06:11:04 AM »
Summary - I get this as a sort of training ground for new talent. That's how it seems, at any rate. Sorry if that's patronizing to the creators. But, it makes it difficult to read. Maybe it needs more close-in editorial steering? I wonder what this would be like if it were five-page stories instead?
The Regened idea of the first FCBD issue focused more on existing properties - it might be interesting to see other creators tackle existing characters. Young Slaine? Flesh: Origins? Maybe this is actually good and I'm too old to get it anymore. The Regened issues are mostly depressing. Sorry. Wish I could report otherwise.
In order of most to least thrilling:
Pandora Perfect - this was just perfect, and stood out head and shoulders above the rest of the comic. A page turner, with real laughs. Makes it all look so easy.
Future Shocks - Into the Void - this was an interesting concept that felt like it could have legs, but then abruptly ended (as you'd expect from a Future Shock).
Cadet Dredd - had to force myself to keep reading this to the end, because it was over on page #3, then again on page #9. Cadet Dredd can't seem to keep his age straight - last time, he seemed not much different in height from his supervisor, then this time he looked ten. That, and the Scooby Doo plotting and dialogue ("and I'd have gotten away with it, too, if it hadn't been for you pesky kids") made this not very good at all. Just reprint The Alien Zoo. It's SO good.
Lowborn High - too many characters, the breadcrumbs at the start didn't take us anywhere, I never got into Harry Potter so I don't like something that's riffing on it, the main character is behaving like his own antagonist and I keep wishing he'd just die (the moping git), everyone is shaped and posed like a supermodel & some of the dialogue seems actually copied and pasted from the HP books. I had to force myself to keep reading.
Scooter & Jinx - another forced read. It's got some pretty poor story-telling. Brink gets away with lots and lots of dialogue because of the nature of its story - really, the dialogue is the story. Here, we keep getting talking heads telling us that things are happening. Just show us! Then, when they do show us, the perspective on the robots is all wonky - they seem giant, then normal sized all of a sudden. And their font is awful unless you zoom it way up. Bah!