I genuinely have a soft spot for Outlaw, which has quite a lot in common with early Sinister Dexter: same story every episode, but with a new, kewl artist each time, accompanied by arch dialogue. Except that Outlaw pretended to be telling an ongoing story which it didn't do very well. At last those artists did all have a good crack at comicsifying that most cinematic of sequences, the gunfight.
Ordinary is just a really great story that I slightly resent voting for because although it did run in the Meg and totally qualifies, it kind of doesn't quite feel like a Megazine story, just one that happened to be printed there.
Screw it it's not gonna win, I'm voting Outlaw on the strength of Simon Davis, and indeed Tom Carney, whose style was the most ridiculous but as a result the most fun for this very silly story.