Without Dreadnoughts, The Meg seems on first impression a little flat this month. That said, there have been many times of late where the only real standout has been a single strip- Lawless- so an issue where everything is hugely readable and the main concern is that *one if the best things the comic has ever run, has come to a temporary halt* can only be described as "a damn good Meg".
Megatropolis still soars above everything else, and unless replaced with the aforementioned Lawless, or an unexpectedly quick return of Dreadnoughts, will be catastrophically missed when it ends. The Dredd story sees Rory McConville seem to up his game and deliver a Dredd that would have fit anywhere in the established history and be hugely entertaining. The Returners, which has at times felt like the awkward fit in the lineup, tragically receives an ending that no one wanted- and I'm so glad that we have another series to enjoy and to cement Si Spencer's legacy. As for Deliverance- which for me succeeds or fails on your opinion of Nick Percival's art- delivers another episode that deserves to be shoved under the eyes of anyone who casually dismisses the craft of the comic artist.
Replacing Dreadnoughts with Devlin Waugh and his controversial dildo demon, was always going to be problematic. But I very much like this particular version of Waugh, and this one was excellent. If you'd asked me at some unspecified time in the distant past if I'd ever accept a Devlin Waugh by anyone other than John Smith I would have laughed in your face. But, do you know what, this run under Ales Klot is- okay I'll go there- as good as anything in that past. This, along with putting Alec Worley on HookJaw and Durham Red, shows why Matt Smith is probably the best editor working in comics today.
SBT