.
The 2000ad Thrillcast Remembering Steve Dillon November 01, 2016 09:00 PM
MICHAEL MOLCHER: There was the work he did on Harlem Heroes and also Rogue Trooper, where he was inked by Kev Walker. Was that a consequence of him being in such demand he couldn't ink his own work?
RICHARD BURTON: Yes, yes. We didn't encourage that, that was the American way of doing things. We much preferred our artists to be in total control of their work.
Episode 1 of The Hit (prog 520)

Final episode of The Hit 3 (prog 603, Cinnabar followed in prog 624):

Heavy influence of Dillon's neighbour, Brendan McCarthy, in the weight and quality of line on that second page.
I can't think of another example of an artist inking someone else's work around that time, other than deadline pressures. Talbot helped Fabry out on an episode of Time Killer and (much earlier) Garry Leach went over Bolland's pencils on The Day The Law Died.
Ewins* and McCarthy had a much looser relationship, swapping pages and individual panels in the pub, but Mark Farmer and Mike Collins were the only duo I know of (sometimes) working on the US model of penciller and inker during that period.
* Who Dillon collaborated with on Skreemer
The 2000ad Thrillcast Remembering Steve Dillon November 01, 2016 09:00 PM
MICHAEL MOLCHER: There was the work he did on Harlem Heroes and also Rogue Trooper, where he was inked by Kev Walker. Was that a consequence of him being in such demand he couldn't ink his own work?
RICHARD BURTON: Yes, yes. We didn't encourage that, that was the American way of doing things. We much preferred our artists to be in total control of their work.
Episode 1 of The Hit (prog 520)

Final episode of The Hit 3 (prog 603, Cinnabar followed in prog 624):

Heavy influence of Dillon's neighbour, Brendan McCarthy, in the weight and quality of line on that second page.
I can't think of another example of an artist inking someone else's work around that time, other than deadline pressures. Talbot helped Fabry out on an episode of Time Killer and (much earlier) Garry Leach went over Bolland's pencils on The Day The Law Died.
Ewins* and McCarthy had a much looser relationship, swapping pages and individual panels in the pub, but Mark Farmer and Mike Collins were the only duo I know of (sometimes) working on the US model of penciller and inker during that period.
* Who Dillon collaborated with on Skreemer

