...well there was much talk about Inferno when I started a thread that mentioned Purgatory a wee while back. So anyway I've now read it and man its as bad as people said. I wasn't going to chew over the bones of it as there's so much not to like that I'd ramble on forever and any witterig I did would sound like a bitter whine
BUT BUT BUT...
Well being a massive Morrison fan its been bugging me quite how wrong he got Dredd (I'll be reading Book of the Dead today so maybe he'll get better?). I can imagine him and Millar sitting there trying to work out what the basics of Dredd were and how to renew those essences AND how wrong did they get it!
For me this is summed up best by the scene were Grice (how did he manage to become a worse character in Inferno than he was in Purgatory????) blows up the Statue of Justice. Now in Wagner's hands, or any number of other writers, Morrison if his heart was in it in fact, this would have been one of two things. Either a very moving symbolic representation of the fall of justice and law, or a wicked piece of satire. Most likely both. In Inferno its an over the top piece of melodrama that loses all its potential impact. The statue is ludicously large, the damage its fall does excessive and over the top, the consequences a convenient plot device further eroding any sense in the story, its realisation cheap and dismissive. Most criminally of all, due to these factors it had absolutely no emotional impact at all.
There for me Inferno condensed to one scene. Morrison is so much better than this.
BUT BUT BUT...
Well being a massive Morrison fan its been bugging me quite how wrong he got Dredd (I'll be reading Book of the Dead today so maybe he'll get better?). I can imagine him and Millar sitting there trying to work out what the basics of Dredd were and how to renew those essences AND how wrong did they get it!
For me this is summed up best by the scene were Grice (how did he manage to become a worse character in Inferno than he was in Purgatory????) blows up the Statue of Justice. Now in Wagner's hands, or any number of other writers, Morrison if his heart was in it in fact, this would have been one of two things. Either a very moving symbolic representation of the fall of justice and law, or a wicked piece of satire. Most likely both. In Inferno its an over the top piece of melodrama that loses all its potential impact. The statue is ludicously large, the damage its fall does excessive and over the top, the consequences a convenient plot device further eroding any sense in the story, its realisation cheap and dismissive. Most criminally of all, due to these factors it had absolutely no emotional impact at all.
There for me Inferno condensed to one scene. Morrison is so much better than this.
