a page a day is a good rate to aim for - in the american or british market. i agree with adrian, that 2000AD pages are far more 'dense' than their american counterparts, but there are benefits to both. i like the space that a 22 page format can bring, i find it can help my work to breath a little more if that makes sense.
recently, due to deadline pressures, i've had to aim for twpo pages a day, pencilled and inked, but i've also managed three on a few days. the interesting thing i find is that the stuff that's produced quicker (GREEN ARROW YEAR ONE) doesn't really look any worse than the stuff that's taken me much longer (the vertigo mini series FAKER)... possibly the opposite in some cases. so i think it all depends on the individual artists own personal pace. dave bishop told me long ago that everyone has their own natural pace, and the sooner you find it the better off you'll be.
here's some two/three page a day pages from GA YEAR ONE -
http://jamessime.com/jock/pp1.jpg">
recently, due to deadline pressures, i've had to aim for twpo pages a day, pencilled and inked, but i've also managed three on a few days. the interesting thing i find is that the stuff that's produced quicker (GREEN ARROW YEAR ONE) doesn't really look any worse than the stuff that's taken me much longer (the vertigo mini series FAKER)... possibly the opposite in some cases. so i think it all depends on the individual artists own personal pace. dave bishop told me long ago that everyone has their own natural pace, and the sooner you find it the better off you'll be.
here's some two/three page a day pages from GA YEAR ONE -