Has anyone else had a problem reading the RED on BLACK text in Feral & Foe?
I had to get a magnifying glass out!
Beat me to it, I was like reading 'Damage Report' from back in the day when it was grey against dark grey / black. Mind with a shift of the Prog to catch the light I could make it...
...and I've one other complaint. Which will be a bit Facebookie so I'll save it for the end. Cos its seems an absolute crime to moan about anything when the Prog is THIS good. I mean this run has been good. But by all that's thrillpowered this is a Prog and a half it really is. Its bloody amazing.
Okay so it could be said that
Zaucer of Zilk has a slightly quieter Prog than normal. But since normal is quite superb and this is just a bit superb its silly to see that as a negative.
Feral and Foe has the very unfortunatel fate of having a real up swing and blood red on black aside its quite clear that this thrill is at its best when it has a Tank in it. The previous episodes with the Tank rose the level of fun to magic and this one does it again. With bonus soul sword for good measure and a wonderful twisty turn. Just brilliant... and yet only the fourth best thing in the Prog.
So a Keith Neimand and Tom Foster
Dredd is going to fare better right... well yeah... but its still only the third best thing and its absolutely magnificent - I mean Kenny Who good. JUst fantastic to look at and christ whomever Neimand is he is perfect at Dredd. Just pitch perfect...
...So
Proteus Vex then... well its close but no. I mean this is fantastic, absolutely Kirbyesque brilliant and Henry Flint is on absolute fire here its just out of this world and yet so solidly bound storytelling. Its sharp, witty, thrilling and crafted in a burning furnace of unfettered imagination. I adore this series and this is possibly the best episode to date.
And so OF COURSE that leaves us Brink - with crashes down into a schmaltz and twee, comfort blanket of a happy ending epilogue that mollifies what has gone before... bollocks and arse its does, OF COURSE it bloody doesn't ... except it kinda does... kinda its just Dabnett and INJ Culbard are so brilliant they make it work perfectly. Absolutely perfectly. This then is added to by the fact its has such a different tone and feel to what we are used to with this thrill it has like 262% more impactful (exactly 262%, not approximately, 262% or hyperbolically 262% actually measure with an impact-o-scope 262% more) than it would in any other series. Just when you think this wonderous series has given you all it can, has shown you all the delights it can possibly offer in five simple pages it lovingly slaps you across the face screaming I AM MORE THAN YOU CAN KNOW and leaves you with the greatest stinging cheek your life will ever know. By 262%
So the Facebookie complaint. Look I'm really please that Tharg has let Brink finish and I'm super glad we are getting these all ages issues this year, its a FANTASTIC thing. Its just a shame that the momentum will be lost from three absolutely fantastic thrills... or will they. Am I being too Facebookie (WE. DON'T. LIKE. CHANGE)? Will the break give me a different delight and then when these three thrills return I will have renewed vigour and anticipation for them?
Well lets find out shall we. Thing is Tharg has gone out on such a bang!?!